{"id":376,"date":"2011-02-25T17:41:12","date_gmt":"2011-02-25T22:41:12","guid":{"rendered":"http:\/\/www.darkmatterarchives.net\/?page_id=376"},"modified":"2012-06-06T18:05:01","modified_gmt":"2012-06-06T22:05:01","slug":"book","status":"publish","type":"page","link":"https:\/\/www.darkmatterarchives.net\/?page_id=376","title":{"rendered":"book"},"content":{"rendered":"<p><a href=\"http:\/\/www.darkmatterarchives.net\/?page_id=398\">table of contents<\/a>\u00a0 <a href=\"http:\/\/www.darkmatterarchives.net\/?page_id=400\">reviews<\/a>\u00a0 <a href=\"http:\/\/www.darkmatterarchives.net\/?page_id=402\">excerpts<\/a>\u00a0 <a href=\"http:\/\/www.darkmatterarchives.net\/?page_id=404\">book discount<\/a>\u00a0 <a href=\"http:\/\/www.darkmatterarchives.net\/?page_id=406\">where to buy<\/a>\u00a0 <a href=\"http:\/\/www.darkmatterarchives.net\/?page_id=408\">lectures<\/a><\/p>\n<h2><span style=\"color: #ffff99;\">Dark Matter: Art and Politics in the Age of Enterprise Culture<\/span><span style=\"color: #c0c0c0;\"> by Gregory Sholette<\/span><\/h2>\n<p><span style=\"color: #c0c0c0;\">(Pluto Press, 2011)<\/span><\/p>\n<p><span style=\"color: #999999;\"><strong><em>&#8220;The dreaming collective knows no history<\/em>.&#8221;<\/strong><strong> <\/strong><\/span><span style=\"color: #999999;\"><strong> -Walter Benjamin<\/strong><\/span><\/p>\n<h2><\/h2>\n<p>**********************************************************************************<\/p>\n<p><span style=\"color: #c0c0c0;\">Errata: the first five footnotes of Dark Matter were accidentally omitted from the section called: &#8220;Exordium: an Accidental Remainder.&#8221;\u00a0 The missing notes are:<\/span><\/p>\n<h5 style=\"padding-left: 30px;\"><span style=\"color: #c0c0c0;\">[1] Beyond Recognition: Representation, Power, and Culture: Craig Owens, edited by\u00a0\u00a0\u00a0\u00a0\u00a0 Scott Bryson, Barbara Kruger, Lynne Tillman, and Jane Weinstock, University of California Press, 1992.<\/span><\/h5>\n<h5 style=\"padding-left: 30px;\"><span style=\"color: #c0c0c0;\">[2] \u2018The Problem With Puerilism\u2019, Craig Owens, Art In America Magazine, Vol. 72, No. 6, Summer, 1983, 162-163.<\/span><\/h5>\n<h5 style=\"padding-left: 30px;\"><span style=\"color: #c0c0c0;\"> [3] Owen\u2019s \u2018The Problem With Puerilism\u2019 appeared a few months before Rosalyn Deutsche and Cara Gendel Ryan published their landmark essay, \u2018The Fine Art of Gentrification\u2019, in October Magazine, Vol. 31, Winter, 1984, 91-111, but which is also available on the website of the alternative space ABC No Rio at: http:\/\/www.abcnorio.org\/about\/history\/fine_art.html<\/span><\/h5>\n<h5 style=\"padding-left: 30px;\"><span style=\"color: #c0c0c0;\">[4] Owens, op cit.<\/span><\/h5>\n<h5 style=\"padding-left: 30px;\"><span style=\"color: #c0c0c0;\"><br \/>\n[5] The term \u2018lumpenography\u2019 is borrowed from Nuyorican scholar Luis Aponte-Par\u00e9s who describes the very memory of New York City\u2019s Puerto-Rican El Barrio during the economically devastating 1970s as a space of arrested development with discontinuous memories and fragmented cultural forms making up its imaginary geography. See the essay: \u2018Ambiguous Identities! The Affirmation of Puertorrique\u00f1idad in the Community Murals of New York City,\u2019 by Elsa B. Cardalda S\u00e1nchez, and Amilcar Tirado Avil\u00e9s,\u00a0 in Mambo Montage: The Latinization of New York, edited by Agust\u00c3\u00adn La\u00c3\u00b3-Montes, Arlene D\u00c3\u00a1vila, August\u00edn La\u00f3-Montes, Arlene D\u00e1vila, Columbia University Press, 2001, 265<\/span><\/h5>\n<p><a href=\"http:\/\/www.darkmatterarchives.net\/wp-content\/uploads\/2012\/06\/g_sholette_dark_matter-ALL.withnotes..pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-85\" title=\"9780745327532\" src=\"http:\/\/www.darkmatterarchives.net\/wp-content\/uploads\/2011\/01\/97807453275323.jpg\" alt=\"\" width=\"151\" height=\"200\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Click book icon for full text<\/p>\n","protected":false},"excerpt":{"rendered":"<p>table of contents\u00a0 reviews\u00a0 excerpts\u00a0 book discount\u00a0 where to buy\u00a0 lectures Dark Matter: Art and Politics in the Age of Enterprise Culture by Gregory Sholette (Pluto Press, 2011) &#8220;The dreaming collective knows no history.&#8221; -Walter Benjamin ********************************************************************************** Errata: the first &hellip; <a href=\"https:\/\/www.darkmatterarchives.net\/?page_id=376\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"onecolumn-page.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-376","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=\/wp\/v2\/pages\/376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=376"}],"version-history":[{"count":28,"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=\/wp\/v2\/pages\/376\/revisions"}],"predecessor-version":[{"id":2140,"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=\/wp\/v2\/pages\/376\/revisions\/2140"}],"wp:attachment":[{"href":"https:\/\/www.darkmatterarchives.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}