Artists’ Records in the Archives: One Day Symposium – Call for Participation

Artists’ Records in the Archives: A One Day Symposium – Call for
Participation

The archives of many institutions contain artists’ records—documents created by artists that often bear witness to the creative process, as evinced by sketches, doodles, and other notations. Artists’ records differ from other types of records due to their inherent connection to the art object and the art market. In recent years there has been a plethora of symposia and conferences dedicated to artist archives, art history and “the archive,” as well as to the use of archival materials by contemporary artists.

While crucial, these investigations have been driven almost entirely by art historians and have not included the perspectives of archivists and special collections librarians.  As part of an effort to broaden the discussion surrounding artists’ records, the Archivists Round Table of Metropolitan New York has organized a one day symposium, “Artists’ Records in the Archives,” to be held on October 11, 2011 in conjunction with the New York Public Library.  Focusing on the perspective of the information professional, this symposium will address how contemporary artists use artists’ records in their work, the significance of artists’ records in archives for scholars and curators, and how archivists and special collections librarians manage artists’ records in their repositories.

Possible topics or areas of interest include, but are not limited to:

*Artists’ use of other artists’ records
*How archivists manage artists’ records and how this might differ within a museum, estate, gallery, and university setting
*Collecting artists’ records
*Appraisal of artists’ records
*Underdocumented artists and the archives
*Exhibitions and artists’ records
*Artists’ records and the digital environment
*Born digital artists’ records
*Copyright, moral rights, and the artist
*Conversations between archivists, artists, and art historians regarding archives

Date:  October 11, 2011
Location: New York Public Library

All individual presentations will be 20 minutes long (10 page paper).

Submissions must include a title, name of author and institutional affiliation, abstract (250 words max), and indication of technological requirements.

Individual papers or entire panel proposals accepted.

A small travel stipend is available. If interested please indicate in the submission.

Deadline for Proposals: Proposals should be emailed to:
artistsymposium@gmail.com by August 15, 2011.

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Getting organized in face of the crisis

Seems that the long history of European public arts funding is beginning to come undone, at least in some countries (Netherlands in particular) – here is one response to that situation and I note that the NYC Opera is trying to get its musicians to become more or less free-lance workers hired as needed rather than regularly employed each season…maybe its time to get organized?

———- Forwarded message ———-
From: e-Flux ‪‬
Date: Fri, Jul 15, 2011 at 6:35 AM
Subject: We are not poor!
To: gsholette@gmail.com

July 15, 2011

NAIM / Bureau Europa

Time/Store Den Haag.
Image by Stroom Den Haag.

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Stroom den Haag and NAIM / Bureau Europa are pleased to announce the opening of a new Time/Store in Maastricht, from July 17th though October 2, 2011.

All across Europe, we are suddenly being told that we are too poor to afford culture, but we are not poor. Many of us are artists, writers, curators, teachers, filmmakers, designers, and architects, and we have knowledge and skills. We can self-organize.

The dismantling of public funding for critical culture in the Netherlands in particular has made it urgent and necessary to develop new support structures if critical culture is to remain viable and vibrant. Alternative economies and other mutual aid systems may be one of the ways by which independent organizations and cultural producers may persevere.

Last May, Stroom Den Haag opened the Dutch branch of the e-flux Time/Bank, a platform and community for the cultural sector through which goods and services can be exchanged internationally by using time as a denomination of exchange. As cultural producers, we often do things without the use of money, and the Time/Bank is a tool to amplify this ability—based on the premise that everyone in the field of culture has something to contribute, and that it is possible to develop and sustain an alternative economy by connecting existing needs with unacknowledged abilities.

Time/Store follows the historic Cincinnati Time Store, opened by American anarchist Josiah Warren in 1827 as a three-year experiment in alternative economics. Warren’s idea was to develop an exchange system in which the value assigned to commodities would come as close as possible to the amount of human labor necessary to produce them. For example: 8 hours of a carpenter’s labor could be exchanged for eight to twelve pounds of corn. This system eventually led to the creation of time currency, and to contemporary time banking—an international alternative economic movement. We strongly feel that the Time/Bank and other mutual aid systems have the potential to become one of the ways in which an independent critical space can be reclaimed by those who produce it.

Stroom Den Haag, an independent foundation founded in 1989 and a centre for art and architecture, brought the Time/Bank to the Netherlands. The Dutch Time/Bank community is growing fast: this weekend a branch of the Time/Store will open at NAIM/ Bureau Europa in Maastrich. This launch is part of the exhibition “Re-Action! Sustainability through Social Innovation” organized by REcentre, a platform for sustainable design.

To join Time/Bank, please go to www.e-flux.com/timebank

NAiM / Bureau Europa
Avenue Céramique 226
(adjacent to the Bonnefantenmuseum, entrance at Daemslunet)
6221 KX Maastricht
The Netherlands

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Bowery Brawl: New Museum V. New Museum

After you have visited New Museum and seen the energetically glowing Benglis retrospective as well as visited the excellent 5th floor installation created for “Museum as Hub” ( with Yael Bartana, Dora Garcia, Wael Shawky, and Carey Young), for an even more enlightening experience head a bit uptown to a less known, though far longer-lived venue known as La Mama Galleria that is just off Bowery at 1st Street where veteran art activist Day Gleeson presents her print-based work about neighborhood gentrification that includes a wobbling seven-foot high inflatable slice of real estate that curiously resembles NM (minus the enormous rose)! Check it out:

http://lamama.org/lagalleria/day-gleeson-retrospective/

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dark matter paperback

  • ISBN: 9780745327525
  • Extent: 256pp
  • Release Date: 05 Nov 2010
  • Size: 230mm x 150mm
  • Format: Paperback
  • Illustrations: 41 photographs

For an Additional 20% off

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buy the new paperback here

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pluto books

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dark matter missing footnotes

Exordium: an Accidental Remainder
These are the first five footnotes of Dark Matter: Art and Politics in the Age of Enterprise Culture omitted from the book:

[1] Beyond Recognition: Representation, Power, and Culture: Craig Owens, edited by Scott Bryson, Barbara Kruger, Lynne Tillman, and Jane Weinstock, University of California Press, 1992.

[2] ‘The Problem With Puerilism’, Craig Owens, Art In America Magazine, Vol. 72, No. 6, Summer, 1983, 162-163.
[3] Owen’s ‘The Problem With Puerilism’ appeared a few months before Rosalyn Deutsche and Cara Gendel Ryan published their landmark essay, ‘The Fine Art of Gentrification’, in October Magazine, Vol. 31, Winter, 1984, 91-111, but which is also available on the website of the alternative space ABC No Rio at: http://www.abcnorio.org/about/history/fine_art.html

[4] Owens, op cit.
[5] The term ‘lumpenography’ is borrowed from Nuyorican scholar Luis Aponte-Parés who describes the very memory of New York City’s Puerto-Rican El Barrio during the economically devastating 1970s as a space of arrested development with discontinuous memories and fragmented cultural forms making up its imaginary geography. See the essay: ‘Ambiguous Identities! The Affirmation of Puertorriqueñidad in the Community Murals of New York City,’ by Elsa B. Cardalda Sánchez, and Amilcar Tirado Avilés,  in Mambo Montage: The Latinization of New York, edited by Agustín Laó-Montes, Arlene Dávila, Augustín Laó-Montes, Arlene Dávila, Columbia University Press, 2001, 265.

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dark matter book is available!

Dark Matter

Art and Politics in the Age of Enterprise Culture

  • Gregory Sholette

  • ISBN: 9780745327532 Extent: 256pp Release Date: 05 Nov 2010 Size: 230mm x 150mm Format: Hardback Illustrations: 41 photographs
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new site under construction

coming soon!

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